| 1 cuota de $45.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 1 cuota de $45.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 2 cuotas de $22.500 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 9 cuotas de $7.173,50 | Total $64.561,50 | |
| 12 cuotas de $5.827,13 | Total $69.925,50 | |
| 24 cuotas de $3.974,81 | Total $95.395,50 |
| 9 cuotas de $8.284 | Total $74.556 | |
| 12 cuotas de $6.924 | Total $83.088 |
| 18 cuotas de $4.521,75 | Total $81.391,50 |
| 1 cuota de $45.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 3 cuotas de $15.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 1 cuota de $45.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 9 cuotas de $6.488 | Total $58.392 | |
| 12 cuotas de $5.259 | Total $63.108 | |
| 18 cuotas de $4.088,25 | Total $73.588,50 |
| 3 cuotas de $15.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 6 cuotas de $7.500 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 2 cuotas de $24.124,50 | Total $48.249 | |
| 15 cuotas de $4.544,40 | Total $68.166 |
| 1 cuota de $49.432,50 | Total $49.432,50 | |
| 6 cuotas de $8.853,75 | Total $53.122,50 |
| 3 cuotas de $18.364,50 | Total $55.093,50 | |
| 6 cuotas de $10.397,25 | Total $62.383,50 | |
| 9 cuotas de $7.955,50 | Total $71.599,50 | |
| 12 cuotas de $6.695,25 | Total $80.343 |
| 3 cuotas de $15.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 1 cuota de $45.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 3 cuotas de $15.000 sin interés | CFT: 0,00% | TEA: 0,00% | Total $45.000 |
| 2 cuotas de $24.257,25 | Total $48.514,50 | |
| 6 cuotas de $8.898,75 | Total $53.392,50 | |
| 9 cuotas de $6.916,50 | Total $62.248,50 | |
| 12 cuotas de $5.661 | Total $67.932 |
Estado: NUEVO
MAXIMILIA RUIZ
GRAFFITI ARGENTINA
THAMES & HUDSON
Páginas: 152
Altura:
Ancho:
Lomo:
Peso: 0.3 kgs.
ISBN: 9780500287620
In the 1970s when graffiti first became part of mainstream art in the United States and Europe, Argentina was living under a dictatorial regime. Long after its demise, the dangers of self-expression still inhibited graffiti's development there. But today, artists have developed innovative styles and techniques all their own, giving them a special place in the international scene. Graffiti Argentina is a collaboration between the Argentine film director Maximiliano Ruiz and three talented graphic designers: Pauline Aubry, Damian E. Regazzoni, and Jorge Cordoba. The exciting visual story that they have compiled is complemented by artist interviews on the first efflorescence of graffiti in the 1990s; on the movement in recent years; on the underground use of tags, train graffiti, and political images; and on the sketches and designs that have come from the street to influence the visual culture of the country.
